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Books

When I was traveling through the Midwest about a month ago, I randomly took a copy of the Wall Street Journal from the lobby of my hotel on the way out one morning, and on the front page was an article about the growing popularity of digital books. The reporting focused specifically on the rise of self-publishing, explaining (1) how an amateur author had uploaded a manuscript she’d been unable to sell for years and had gone on to sell enough digital copies that Amazon will soon be printing a hardcopy version of the book to be sold through their site, and (2) how an experienced Sci-Fi writer was selling digital copies of his early, out of print novels, which allowed him to easily distribute hard to find work to his fans, as well as make a comfortable living for himself.

Why am I telling you this? Because that Wall Street Journal article was published on June 6th, 2010, while on February 5th, 2010, I also wrote about how the rise of digital books will revolutionize the publishing industry, allowing up and coming writers the opportunity to circumvent the big publishing houses, and providing established writers more control over their work (as well as more money). I’m not telling you this to highlight my superior intellect or prescience; rather, I’m pointing out the five-month discrepancy in lead-time as yet another example of We Have Beards superiority over the dead medium that is traditional print media. In your face, print media!

Of course, this is coming from someone who only last week wrote a review of Aristotle and Flannery O’Connor: talk about timeliness. Then again, it would be difficult for most newspaper writers to publish a story about O’Connor, considering most of them have never read her work. Boom! In your face, print media!

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In Poetics, Aristotle offers two valuable observations about the creation of art. First, and most significantly, Aristotle tells us “not to know that a hind has no horns is a less serious matter than to paint it inartistically”. In other words, it is less important for a writer not to be fully informed about the subject he is writing than it is for him to describe his subject in poor style. Second, Aristotle offers his definition of tragedy. The ideal outcome of a tragic story, he writes, is that the protagonist will experience peripeteia (or a reversal of intention), which leads to anagnorisis (or a recognition), which in turn leaves the protagonist in a state of catastrophe and suffering. Put another way, peripeteia is the revelation that a pursuit which the protagonist believed to be in his best interests is in fact the opposite, and anagnorisis is their sudden awareness of the consequences of this reversal.

Aristotle uses the play Oedipus Rex (which Wikipedia summarizes fully here, although I would point out that they date the first production of the play as 429 BC, nearly a hundred years after Aristotle’s death) as his example. In this story Oedipus, who is made king of Thebes after defeating the Sphinx, is seeking the murderer of the former king, whom an oracle has said must be brought to justice before the pestilence plaguing the kingdom will end. The peripeteia is reached when it is revealed through Oedipus’s investigation that he himself had unknowingly murdered the former king, and the anagnorisis occurs when Oedipus then realizes that he is the murderer of his own father and the queen, was queen alongside the former king and whom Oedipus married when he assumed the throne, is his mother, which, in case you need it spelled out for you, is the catastrophic aspect of this equation. Suffering, in the form of Oedipus’s self-inflicted eye gouging, ensues soon thereafter.

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Recently a friend asked me to make a list of books I would recommend for someone who would like to read some serious literature, and in doing so, I realized that a list like this could serve as a useful primer for anyone who reads what I write in this space. That being said, what follows are not my selections for the best or most important texts from all of recorded history; they are merely a starting point for the uninitiated. My hope is that if one were to actually read everything I recommend they would be left with a broad knowledge of a range of literature and would also be inspired enough by a few novels to pursue more work by a specific author or era. So, with that in mind, please do enjoy.
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Black Beard on Literary Criticism Now And In The 24th Century

June 16, 2010

I’m always interested in tracing the lineage of art, of finding an indication of what influenced an artist, and of discovering what aspects of a past novel, for instance, have been adopted and repeated by contemporary novelists. It’s a small thing, but I feel as though I more thoroughly understand Philip Roth’s American Pastoral when [...]

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Black Beard’s Review of Books He Doesn’t Want to Read: The Corrections

April 14, 2010

I’ve been reading Jonathan Franzen’s The Corrections. What can I say? Or, really, where should I begin? It’s a Post-Modern novel, by which I mean that it’s not terribly dense, nor terribly engrossing, nor terribly interesting. In fact, in an earlier draft I wrote of this post I found the process of breaking down the [...]

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Black Beard’s Review of Books No One Wants to Read: The Good Soldier

March 23, 2010

I was recently accepted to a PhD program I applied to at the end of last year, and as part of my acceptance, I’ve been awarded a teaching fellowship. At first I will be given only freshman composition courses, but as I gain more experience I will have the opportunity in subsequent years to oversee [...]

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Black Beard’s Review of Books No One Wants to Read: Raymond Carver

March 9, 2010

I just finished Other Colors by Orhan Pamuk, which I’ve mentioned briefly before, but which I would like to write about again, in a way, because of many topics covered in the book to which I responded.  For example, Pamuk writes in several places about returning later in life to books he read in his [...]

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Black Beard Finds His Socrates

February 27, 2010

I met up with my friend McKenzie Davis, a fellow writer, recently at KGB Bar in New York.  McKenzie is a voracious discusser of all things—most ridiculously, when we both lived in Boston, we once spent the better part of a half-hour hashing out the fundamental qualities that must be in place for food to [...]

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Black Beard on Writer’s Block

February 23, 2010

Perhaps you noticed last week that I posted only one column in this space, rather than my usual two.  This was because I was struck with a bout of writer’s block when I woke up Thursday, which put a stop to everything.  Yes, I was frustrated, but at the same time I am entirely fascinated [...]

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